A DIY 10 minute tunic or dress.
Take one wide and long scarf and cut slit in center, sew together at sides to middle, then with elastic bobbin sew at waist.
Hey, if you used a belt you wouldn't even have to do the elastic waist part!
I really wanted something that could do a lot of the same things in one lens. Enter the Tamron 18-270mm lens. It has the best of both worlds in terms of zoom beginning at 18mm (closer than my standard lens) and ending at 270mm (further than my telephoto lens). I can get very close (ie the top photo of a yucky cupcake the girls made was taken at only 2 feet above.)
It's a lovely plastic lens that transforms your beloved hunk of metal and glass into a digital toy camera. You can now get that lovable Lo-fi "technology" on your digi cam from Lomography's series of Diana plastic cameras. Dianas are known for their low saturation, soft surreal blurs, and unpredictable colors.
There is a technique to using this lens. If you like the same leeky light, plasticky, vingettey photos that you get with a film diana you need to do a couple things which then produce great results.
A few interesting notes. The first time I put this lens on it felt very loose and I read a lot of other people had the same issue. However, when I looked into it further it's just a matter of really clicking the lens in place. It's not terribly obvious but once it's on properly you shouldn't have any problem with the lens being loose.
Remember yesterday I mentioned how a lot of people use their built in flash indoors and how you don't need to do that? Well, I wasn't lying BUT there are some drawbacks to using no flash in low light. Now, don't get me wrong, I've seen people use their flash in perfectly fine lighting but I realize that there are some situations where not using a flash results in a very orangey, yellow picture. Now, I'd rather have that than a blown out over exposed face taken with a flash and try to clean the yellow out in Photoshop but that's just my preference. Some other people might like the crisper details of the scene. But I have a really GREAT secret. You can have both, a great crisp picture, no yellow and without the cost of an expensive speedlite.
Take a look at these two photos. Both were taken straight from my camera no digital clean up. The one on at top was taken with the built-in flash directed in front of the subject (Eloise), while the one below was taken with a Light Scoop. These were taken with a lot of natural light in the room but I have to tell you that you get the best before and after results when you use the Light Scoop indoors with artificial light. See here. See here. And here.